Picasso Portraits

From the beginning of his career until its end, Pablo Picasso's prime subject was the human figure, and portraiture remained a favorite genre for the artist. Picasso's portraiture reflected the full range of his innovative styles--Symbolist, Cubist, Neoclassical, Surrealist, Expressionist. Depicting people in his intimate circle rather than working to commission enabled Picasso to take an expressive, radically experimental approach to making portraits. However extreme his departure from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. He remained in constant dialogue with the art of the past, and his portraits often alluded to canonical masterpieces. Treating favorite Old Masters as indecorously as his intimate friends, he created suites of free “variations" after Velázquez's “Las Meninas" and Rembrandt's “The Prodigal Son." These dizzying stylistic shifts of Picasso's long career can be traced through their manifestations in his portraits. Picasso Portraits tells this story thematically, with a focus on Picasso's creative process rather than his biography. Issues addressed in depth in this volume include Picasso's exploitation of familiar poses and formats, his sources of inspiration among the Old Masters and the relationship between observation, memory and fantasy. The legendary life and career of Pablo Picasso (1881–1973) spanned nearly the entire 20th century and ushered in some of its most significant artistic revolutions. Hard to overestimate in importance or originality, Picasso's style is perhaps best captured in the words of his friend Paul Éluard: “Picasso paints like God or the devil."

6590 RUR

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Picasso And Maya

In 2016 and 2017, Diana Widmaier-Picasso curated two exhibitions for Gagosian: the first gathered works from the collection of her mother, Maya Ruiz-Picasso, Pablo Picasso's beloved eldest daughter; and the second commemorated the relationship between Picasso and Maya. More than just a catalog of these two exhibitions, this book is a comprehensive reference publication that explores the figure of Maya throughout Picasso's work and chronicles the relationship between the artist and his daughter. The volume features an intimate interview between Ruiz-Picasso and Widmaier-Picasso, along with archival photographs by Edward Quinn and from the Picasso family, many of which have never been published before. New scholarly essays complete the publication, with contributions by distinguished Picasso scholars such as Elizabeth Cowling, Carmen Giménez, and Pepe Karmel. A section of the book is devoted to Picasso's plaster sculpture La Femme Enceinte (1959) and includes a discussion of Roe Ethridge's vivid, specially commissioned photographs of this work.

25120 RUR

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Picasso.Mania. Picasso and the Contemporary Masters

As the co-founder of cubism and a prolific painter, sculptor, printmaker, and more, Pablo Picasso was one of the greatest artists of the twentieth century. He was also one of the most influential—his work haunted the imagination of his peers and has frequently been echoed in contemporary art. In Picasso.Mania, Didier Ottinger, Diana Widmaier-Picasso, and Emilie Bouvard bring together a distinguished group of contributors to showcase the rich engagement with Picasso's work that has inspired artists for decades. To trace Picasso's influence, the essays return to the 1960s, when Picasso's vibrant presence struck a chord in pop art and narrative figuration, and artists like Andy Warhol and Roy Lichtenstein returned to Picassien archetypal figures. Not long after, Martin Kippenberger's self-portraits revealed the impact of Picasso's public image on the imagination of twentieth-century artists, while David Hockney's Polaroid composites and multiscreen videos echoed Picasso's exploration of a polyfocal space. These essays also explore the ways Picasso's stylistic eclecticism and the free craftsmanship of his later paintings inspired artists like Georg Baselitz, Jean-Michel Basquiat, and Julian Schnabel, while more recently, Rineke Dijkstra's video installation I See a Woman Crying (Weeping Woman) illustrated Picasso's presence in contemporary art's most diverse means of expression—cinema, digital images, and even comic strips. With three hundred illustrations of works by Picasso and contemporary artists and an interview with Phillipe Sollers by Stéphane Guégan, Picasso Mania is sure to become an authoritative work on the Spanish master's connection to contemporary art.

5830 RUR

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Willi Bloess Milestones of Art: Pablo Picasso: The King

Involved in expressionism, cubism, and surrealism, Picasso was an outstanding painter during the first half of the 20th century. Innumerable publications to his person have appeared. In contrast to them, this short guide delivers an overview of the life and work of the controversial genius in not so many words and entertaining pictures. By developing a cubistic-influenced comic style, author Willi Bloess and illustrator Thomas Thiesen come close to their aim: explaining art by art.

372.14 RUR

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